38 THE GEORGIA STRAIGHT • FEBRUARY 17-24, 1995 Louis Riel Biography Suiters from Its Revisionist Slant BOOKS Riel: A Lile of Revolution By Maggie Siggins. HarperCollins, 507 pp, $29, hardcover. • Bv VERNE McDONALD As a Canadian hero, Louis Riel stands out from an iconography heavy with suits, ties, and visiting explorers from other countries. There are also not many national heroes who were hanged for treason yet did not become the focus of any subsequent political movement, unless you count the 90-year elec­ toral drought the Conservatives suf­ fered in Quebec. I don't know what history is taught in Ontario, but in high school and university in Alberta and B.C., Riel was presente d to me as the man whose decisiveness and determina­ tion in defence of human rights helped found the province of Manito­ ba, but who ran afoul of central­ Canadian politics. In defending the same principles in the 1885 rebellion, he brought on defeat and final failure through his vacillation and lack of a coherent purpose, yet through the perceived threat he posed to Ottawa he did accomplish the wildly unin­ tended feat of causing the completion of the Canadian Pacific Railway and the uniting of the West with the rest of Canada. Maggie Siggins would have us believe that Riel's vision of the Northwest, with apartheid-style homelands for Me tis, Nati ves, Bavarians, Irish, e t cetera, was indeed a coherent one, even if that vision had him making up new names for the days of the week while British troops and Canadian militia closed in. Siggins is seeking backing for her thesis that Riel was a revolu­ tionary, so she tries not to dwell on the fact that his Metis nation would have resembled medieval Spain more than a populist democracy. She smooths over the contradictions and inconsistencies of Riel's life as much as possible to present a sim­ plistic story of a tragic hero fighting evil enemies. George Bowering, writing in Quill and Quire, notes that after almost a century of anti-Riel bias in Canadi­ an historical writing, the past 25 years have seen a wealth of new research and more sympathetic pub­ lications. While drawing on these in her meticulously researched biog­ raphy, Siggins seems to discount this quarter-century of work with generalizations such as: "Almost every historian over the years has c o n d em n e d t h e exe c u t i o n of Thomas Scott [in 1870] as being without any legal foundation, a summary, vicious act." Of several historians I have read, most sym­ pathize with Riel in his problems with Scott, and none unequivocally condemns the execution. It is as though Siggins is trying to stake some sort of claim as the first of Riel's sympathizers. Always being on Riel's side leads Siggins into some convolutions. She characterizes Hugh Richardson, the judge at Riel's trial, as a patronage pawn who "almost always" sided with the Conservative government, then strangely illustrates her point with a quote from a n appeal Richardson wrote i n 1880 asking the government to abandon its poli­ cy o f n e glect and settle Metis claims. Following many negative quotes about Riel or his actions, Siggins hurries to add disclaimers that the statement cited was made years after the fact or the source was ill, or vengeful, or self-serving, and so on. These disc�imers do not seem to be needed for any other statements. Having the historian's bias out front is better than a hypocritically false objectivity, but phrases such as the summing up of U.S. Indian agent A .R. Keller as a "typical white Indian-hater" prevent Riel: A Life of Revolution from being the authoritative book on Riel that it might have been. It sometimes se ems less an examination of a 19th-century man than a document of the 1990s. ■ •• ••••••••••••••••••••••••••••••••• •• • The Greater Vancouver Operatic Society presents •• •• • •• THE MOST HAPPY FELLA •• • • • • •• •• • •• • •• • Centennial • ••• 984-4484 • • • Gateway • •• 270-1812 • • •• Centennial Theatre: • February 23 26 • •• March 1- 4 • "The Musical • • Gateway Theatre: • of Musicals" • • •• March 1 5 - 19 (N. Y. Times) • & 22- 25 • ••• RICHMOND • • @L.£>C1..JS �TOYOTA• CIQQUI seaspa1 • •• •••••••••••••••••••••••••••••••••• FRANK LOESSER'S MUSICAL Based on Sidney Howard's "They Knew What They Wanted" Book, Music and Lyrics by FRANK LOESSER ·---- The Most Happy Fella Is presented through special arrangement with, and all authorized performance • materials are supplied by, Music Theatre International, 545 Eighth Avenue, New York, N. Y. 10018 • ' I New Orchestra Workshop Society presents Fourth Annual Festival of New and Improvised Music. Featuring Vancouver's 13piece NOW Orchestra with special guest artists from Quebec Rene Lussier and Pierre Tanguay. February 15 -18, 1995 February 16. Rene Lussier/ Pierre Tanguay Duo plus a quartet set featuring Coat Cooke & Paul Plimley 9:30 PM • Glass Slipper (2714 Prince Edward)• $10 February 17 • NOW Orchestra featuring Rene Lussier & Pierre Tanguay playing the music of Rene Lussier and Paul Plimley 9:30 PM • Glass Slipper (2714 Prince Edward)• $10 February 1s • Fran�ois Houle and Ken Morrison 9:30 PM • Glass Slipper (2714 Prince Edward)• $10 Concert Sponsor Media Sponsors Official Airline AIR CANADA 12 121212 1212121212 1212121212121212121212121212121212121212121212121212121212,_. N N � TWELVE MINUTES MAX A Performance Exhibition N : February 27 & 28 at 8pm • Firehall Arts Centre • Tickets $7 .50 • For info call 689-0926 -n Z1 Z1 ZI Z1 Z1 Z1 Z1 ZI ZI Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 Z1 ZI Zl ZI Zl ZI �N Produced by New Orchestra Workshop Society. Co-produced by the Western Front and Coastal Jazz and Blues Society. Media Sponsor: Georgia Straight Image: ION Design Tickets available at all Ticketmaster outlets and at Highlife Records. For information and tickets call the Jazz Hotline at 682-0706. Charge By Phone 280-4444.